Episode 6 of Broadchurch was where the show recovered its
form with a bang. As the trial of Joe Miller (Matthew Gravelle) progressed there was a return to
what made the first series more than just another crime procedural – a focus on
the effects that Danny Latimer’s murder was having on the people close to him. Events
in the courtroom and the fall out from them led to remarkable performances,
notably from Olivia Colman and Jodie Whittaker as two women trying to claw back
some normality and dignity into their lives, Andrew Buchan as the grieving
father who knows he has let his family down and, as brooding, drifting teenager
Tom, Adam Wilson.
Since the arrest of Joe Miller shattered his family, Ellie (Olivia Colman) has been trying to pick up the pieces and build a new life for herself.
However, recent episodes have indicated that she is not going to be beaten down
by this. She doesn’t want some makeshift existence in a tiny bedsit, she wants
her old life back in her old house with what remains of her family and she’s
going to win back her respect. The turning point is learning that her son Tom (Adam Wilson) lied in
court under oath for his undeserving father, it’s the catalyst that releases
Ellie the Lioness. And she can certainly roar. She almost drags Tom home by the
scruff of the neck, and it has to be said that following his nervous tearful
appearance in the witness box, Tom actually looks relieved that one of his
parents has at last taken control.
But where Ellie is regaining control, Beth (Jodie Whittaker) seems to be losing
hers as more secrets are peeled away from her fragile marriage via an amazing
and sensitive performance by Andrew Buchan as Mark. First she learns of Mark’s secret
meetings with Tom. Then she learns that Mark saw his fling with Becca as the
start of something more permanent and had Danny lived she would now be without
a husband. She’s so low that the only source of comfort she has is the hated
Ellie. But worse is to come when it emerges that the continuation of the trial
hinges not on an error by Hardy or Ellie, but on the actions of the one
person she thought that she could rely on to do the right thing by Danny. Mark’s
visit to Joe in the cells could have jeopardised everything. For a while she is
floored. Fortunately we see a return of the old Beth fire when she too
explodes, ferociously laying down an ultimatum to Mark. But with the Latimer
family stumbling from crisis to crisis might this now be the final hurdle that
neither Beth nor Mark have the strength left to climb?
And what of the accused himself? Joe Miller is more or less
cut adrift by Paul Coates (Arthur Darvill) who refuses to provide any more spiritual support to
a man who cannot take responsibility for his actions. Joe has also seen his own
son risk himself by lying for him. He’s last seen brooding in his cell, maybe
signalling a change of heart. But things could change again, all depending on
what juicy bit of info devious junior barrister Abbie (Phoebe Waller-Bridge) managed to lift from Lucy's (Tanya Franks paperwork. Olly’s (Jonathan Bailey) latest conquest could backfire spectacularly – will he never
learn to leave those London girls alone?
Meanwhile Hardy has his own trials to overcome as the date
of his medical procedure rolls around, and David Tennant underplays the
tortured detective’s anxieties perfectly as he slips away, unnoticed, for what
he fears my be the end of him. Whether it’s the heightened sense of his own
mortality or just the sentiment of revisiting his old stamping ground, Hardy is missing the
comforts of family life and suggests another go of things with ex-wife
Tess (Lucy Cohu). But it seems as if his plans might be nipped in the bud as he goes under
anaesthetic and what must have seemed like the longest ad break ever was
heralded in to the sound of a flatlining heart monitor. It’s a relief to see
him straight back on sparring terms with Ellie – a reminder that while his
heart might be fixed his personality certainly hasn’t been. That being said, it’s
also good to see the human side of Hardy that his interactions with ex-wife
Tess and daughter Daisy bring out. Although Hardy’s warmer side has been hinted
at, we are at last seeing a man who is capable of sharing affection with other
human beings, and joking and, God forbid, even smiling. It’s like seeing the
final pieces dropping into place in the puzzle that is the man. But with Tess now tempted to get back on
board with the Sandbrook investigation it remains to be seen how that will
affect the dynamic of the Hardy-Ellie relationship which is central to the drama. With someone in between this could be somewhat diluted. Also,
Sandbrook has now come to represent some form of redemption for both Hardy and
Miller and there’s no sense with the viewer that any other character has earned
a share of that.
As for Sandbrook, the focus is increasingly turning on the
enigmatic Claire as the force behind what went on. In the course of the episode
we see her exploding in impotent rage as Hardy essentially evicts her, turning
to Lee for some more brutal sex and then going househunting with her estranged
husband, viewing a property with another sporty trampolining pre-teen as a
neighbour. No questions are answered, but more are posed. Did she and Lisa
Newbery orchestrate some kind of campaign against Cate Gillespie? Why the gate
in the fences between the houses? What was the ‘plan’ that she and Lee had
formed and failed to stick to? And is Ellie in any danger now that she’s discovered
the secret of Pippa’s pendant? Finally what is the nature of the relationship
between Hardy and Claire? In a slip of the tongue she implied he was jealous of
Lee. Is Hardy in deeper than Ellie is aware – and if so what are his real
reasons for wanting to solve the case?
With two episodes left there’s a lot to be wrapped up in
both cases. If the momentum of tonight’s episode continues, then Broadchurch is
undoubtedly set to regain its crown as unmissable event television.
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